Vintage typewriters and forged letters might seem like unusual decor for New York’s SVA Theatre, but there could be no better tribute to Lee Israel, the subject of the new Melissa McCarthy-led biopic “Can You Ever Forgive Me?,” which premiered there on Sunday. Israel was a biographer of celebrated women who turned to forging and selling letters from her literary heroes when her own career hit a standstill.
“The city is full of people that we often don’t bother to look at who have had incredibly interesting lives,” producer Anne Carey said. “Lee’s invisibility is part of what made her able to accomplish what she did, and I think that’s the thing — you never know who you’re walking by in the street.”
The FBI eventually caught on to Israel’s scheme, but not before she had already sold about 400 fake letters.
Though Stephen Spinella also lived in New York at the time of the Israel forgeries in the early ‘90s, “I didn’t know this world at all. I was in a downtown, gay activist world — I was in ACT UP — and this is sort of an uptown, literary archivist world.” But he was struck by the way it was constructed in the film: “That moment where she’s going all-in on a life of crime, and they film it going into Argosy Books — it’s so beautiful.”
So, does he admire her in spite of everything? “Yeah, because nobody died,” he quipped. “Some booksellers and autograph hunters got duped, but I think there’s a sort of thieves’ pride in what she’s done. It was such an act of literary ventriloquism to have imitated all of these writers so convincingly — if only it hadn’t been criminal!”
“I fell in love with Lee so quickly within the script, and it made me stop and realize, ‘I’m not sure why I love her.’ And that’s a very interesting thing. A very challenging character that you still feel so much for and root for is always what I love — because whatever they’re doing on the surface is not really what’s happening on the inside. We all play with different defense mechanisms. Lee’s was to be as prickly, as difficult as possible, but I always thought, ‘What is she hiding?’”
To answer that question, McCarthy had to dig deep. “The research process was tricky because, true to Lee’s personality, she did not want people in her business!” she said, laughing. “She barely took any pictures, there’s absolutely no video of her, and at first I thought, ‘Am I just doing it wrong?’ But luckily, we had two producers who knew her quite well, so I just heard story after story after story, read her books, read her writing — her wit always comes through.”
Asked whether there’s another woman from history whose story she’d like to take on after “Can You Ever Forgive Me?,” she laughed. “That’s a very long list! That’s like, ‘Pick your favorite album.’ There are so many incredible women where I think we need to know their stories — the good, the bad, the flaws — that’s when you really feel what makes a person tick.”